Leonard Clerihew Gow (1877–1939)
Gow’s Sensory Apparatus
1921

L. C. Gow Laboratories, Springfield Township, New Jersey. Enameled metal housing with instrumentation in bakelite and gutta-percha. 10¼ × 16½ × 4". Collection of the author.

"Gow’s Sensory Apparatus" by Jonathan Hoefler, from the Apocryphal Inventions project.

Was it his infatuation with M., the notorious mystic of the Parisian demimonde, that so altered the professional trajectory of Dr. Leonard Clerihew Gow?

Gow’s earliest machines were designed to test his hypothesis that the five senses noted by Aristotle — our sight, hearing, smell, taste, and touch — were but a meager part of human reckoning, and indeed, the first Gow device demonstrated that our senses of temperature and humidity are independent of touch. The second device, with its pair of disorienting emitters, proved conclusively that balance and proprioception qualify as our eighth and ninth senses, in a famous series of studies repeated by Gladwyn and Openshaw. It is here that Gow first encounters M., a mysterious sybarite whose name was never recorded, and who different accounts describe as a transcendentalist, an opium addict, a prostitute, a medium, a member of the Hapsburgs, a member of the Ballets Russes, syphilitic, a Persian seer, a disgraced mathematician, a woman of twenty five, and a man of more than two hundred.

After meeting M., Gow’s work begins becomes erratic and strange, though the designs of his machines remain reassuringly clinical. The third Gow device ostensibly measures subjects’ senses of hunger and thirst, along with two qualities he called epimoní (persistence) and antochí (endurance) that go undefined in the notebooks that he mostly destroyed. Using the fourth device, Gow made the fantastical claim that humans have an untapped capacity for echolocation, magnetoreception, and sensitivity to polarized light. His mechanism was never submitted for review, and in demanding that his elliptical study be published without data, Gow earned the mistrust of the scientific community. It is twelve years before the news of his death, and the delivery of a package to the provost of his alma mater, that contained the fifth and final Gow device. Included is a caution that the machine must not be activated until 777 years have passed, which the university intends to mark with a ceremony on December 6, 2716. The workings of the device are unclear, its symbols undecipherable, but some speculate that its tympanic membrane emits low frequency sounds far below the threshold of human hearing, and none fail to note that its two-axis keyboard seems specifically unsuited to human hands.

Published December 6, 2022. Copyright © 2022 Jonathan Hoefler.

 

About

The objects in the Apocryphal Inventions series are technical chimeras, intentional misdirections coaxed from the generative AI platform Midjourney. Instead of iterating on the system’s early drafts to create ever more accurate renderings of real-world objects, creator Jonathan Hoefler subverted the system to refine and intensify its most intriguing misunderstandings, pushing the software to create beguiling, aestheticized nonsense. Some images have been retouched to make them more plausible; others have been left intact, appearing exactly as generated by the software. The accompanying descriptions, written by the author, offer fictitious backstories rooted in historical fact, which suggest how each of these inventions might have come to be.

These images represent some of AI’s most intriguing answers to confounding questions, an inversion of the more pressing debate in which it is humanity that must confront the difficult and existential questions posed by artificial intelligence.

Previously:

No. 3. Ticket Machines

Next:

No. 5. Schrijnemakers’ Dioramas