← A. Inventions, No. 24
Thomas Hooke-Carthew (?1834–1899)
Hooke’s Room-Ring System
1871–2
Hooke-Carthew Bell Foundry, est. 1620, Cornwall, England. Vitreous enamel on stamped tinplate, celluloid keys, glass indicator window, internal mechanism in brass with copper wiring. 6½ × 10 × 2⅛". Collection of the author.
A Cornish manufacturer of coiled springs is connected to the Shang dynasty through labor demographics, electrification, and The Sun King, which together brought about Hooke’s Room-Ring System.
The Carthew family of Cornwall had worked the copper mines since Roman times, perhaps even in the Bronze Age. By the time young Thomas entered the family business, the Hooke-Carthew Company had come to specialize in the manufacture of staff call bells, that matrix of alarms on springs (downstairs) summoned by a network of wires and pulls (upstairs.) In the 1870s, Hooke-Carthew saw that household electrification was at hand, and foresaw how the company’s wires and springs would need to be repurposed. A lesser mind might have anticipated the replacement of the mechanical bell with the electric buzzer, but Thomas had other ideas.
Between the lofty ideals of the Utopians, and the practical socialism of the trade unionists, Hooke-Carthew astutely predicted that domestic workers would seek employment elsewhere. He’d be proven correct, and many of the grand estates that had long depended on Hooke-Carthew Bells would find their numbers reduced to but a cook and a butler. Thomas advanced the idea of an intramural communications system that could adapt to both technological and sociological changes: a two-way system, it would allow replies to be sent back upstairs, and its elevated styling would look at home among the most elegant consumer goods of the time. He designed his machines to coordinate with the celadon porcelain that was prized by the Neoclassicists, which in turn imitated the tastes of Louis XIV, and which had originated in China nearly 3,500 years before. Alas, Hooke-Carthew’s machines would be cut short by the arrival of the microphone and speaker in the decade ahead, which would install the intercom as the de facto standard for communications at home. But Hooke-Carthew’s vision of how technical contrivances could be integrated into an entire system of accessories would forever inform industrial design, albeit never again with so much turquoise.
Published December 30, 2022. Copyright © 2022 Jonathan Hoefler.
About
The objects in the Apocryphal Inventions series are technical chimeras, intentional misdirections coaxed from the generative AI platform Midjourney. Instead of iterating on the system’s early drafts to create ever more accurate renderings of real-world objects, creator Jonathan Hoefler subverted the system to refine and intensify its most intriguing misunderstandings, pushing the software to create beguiling, aestheticized nonsense. Some images have been retouched to make them more plausible; others have been left intact, appearing exactly as generated by the software. The accompanying descriptions, written by the author, offer fictitious backstories rooted in historical fact, which suggest how each of these inventions might have come to be.
These images represent some of AI’s most intriguing answers to confounding questions, an inversion of the more pressing debate in which it is humanity that must confront the difficult and existential questions posed by artificial intelligence.
Previously:
No. 23. Carriage Bridles
Next:
No. 25. New Year’s Devices