← A. Inventions, No. 10
Designer Unknown
Steganographic Encoders
1961
Directorate of Plans, Washington, DC. Epoxy-coated anodized aluminum case over steel, polyethylene and galvanized steel hardware. 10½ × 9 × 5⅛". Collection of the author.
If the Cold War was an era of heightened anxiety, it was also a time of great ingenuity. When the Russian speed skater Zenaida Yakovlev returned victorious from the 1960 Winter Olympics in Squaw Valley, the well-worn blades of her ice skates went unnoticed by American officials, though their seemingly random scratches were later revealed to be an elaborate set of precise markings that encoded a secret message.
The United States responded through its Steganographic Operations Organization (stegopsorg/us), bent on finding ways to introduce undetectable changes to everyday objects that could be repurposed as a means of transmitting secret information. These machines, recently declassified by the nsa, were designed to encode information as (fig. 1) photographic ‘microdots,’ which could compress a large image down to the size of the dot on a lowercase ‘i’; (fig. 2) the grooves on poker chips; (fig. 3) the scent of additives used in dish soap; (fig. 4) the intervals between markings on wooden rulers; (fig. 5) the color of tattoo ink; (fig. 6) the position of sprocket holes on fan-fold paper used by dot-matrix printers; (fig. 7) the reflective properties of embroidery thread; (fig. 8) the audio track on Ultra Panavision 70mm film.
Published December 12, 2022. Copyright © 2022 Jonathan Hoefler.
About
The objects in the Apocryphal Inventions series are technical chimeras, intentional misdirections coaxed from the generative AI platform Midjourney. Instead of iterating on the system’s early drafts to create ever more accurate renderings of real-world objects, creator Jonathan Hoefler subverted the system to refine and intensify its most intriguing misunderstandings, pushing the software to create beguiling, aestheticized nonsense. Some images have been retouched to make them more plausible; others have been left intact, appearing exactly as generated by the software. The accompanying descriptions, written by the author, offer fictitious backstories rooted in historical fact, which suggest how each of these inventions might have come to be.
These images represent some of AI’s most intriguing answers to confounding questions, an inversion of the more pressing debate in which it is humanity that must confront the difficult and existential questions posed by artificial intelligence.
Previously:
No. 9. Omnisymphonium
Next:
No. 11. Bélanger's Tool and Die Catalog